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August 28, 2008

Voilà Putumayo

by John Oseid

For some 15 years now, listeners looking to sample sounds from around the world have turned to the ubiquitous Putumayo label's quirky compilations. Sharing Carla Bruni's folksy guitar sound with you last week put me in the mood to dig a little deeper into the world of French chanson. Quelle coincidence! Before I could say voilà, Putumayo's fun new release, Acoustic France, landed on my desk.

The album doesn't feature household names like Brassens, Gainsbourg, or Gréco; rather, it pays tribute to them by showing a new generation that's stretching the country's great postwar poetic pop and chanson genres. A few of my picks after the jump:

Madame Bruni, who appears with "Raphael," is not the only performer with pedigree. Thomas Dutronc is the son of sixties superstar actress Françoise Hardy and popular singer Jacques Dutronc. He puts a decided Django-esque vibe into "J'suis pas d'ici."

I had never heard of Constance Amiot, but I quickly claimed the artist's "Clash dans le tempo" as my favorite cut. The video to the fast-paced, phonetically rich song is above.

A breezy bossa nova tune, Les Escrocs' "Assedic" is actually a clever bite at life on the dole. Radio France Internationale describes the group as "impertinent" and "socially committed."

A veteran actress, Sandrine Kiberlain has turned herself into a highly respected singer in recent years. Her lovely tune "Le Quotidien" has a sixties swing to it, with a light country twang in the back. Her MySpace page announces a new album in October. This new fan is pre-ordering.

When I studied in France a quarter of a century ago, I was too young, dumb, and besotted with The Clash to appreciate the world's greatest songwriting tradition. Now I've seen the light. If I were lucky enough to travel to Paris as it comes back to life in these waning days of summer, I'd pop Acoustic France in my iPod. I'd listen to it over the Atlantic, and as soon as I hit the pavement I'd start looking out for these young stars performing live.

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